Handy Mandy’s first 15
1. The Reef (Nora Roberts)
contains a witch, sex,
shark attacks, pirate’s treasure,
romantic drivel
2/5
2. Congo (Michael Crichton)
well researched story
but the character with the
most depth was the ape
4/5
3. Clockfire (Jonathan Ball)
fun yet scary book
my favourite play was one
called ‘acknowledgements’
5/5
4. A Dry Spell (Susie Moloney)
an intelligent
read, characterization
is top notch, encore!
5/5
5. Child of God (Cormac McCarthy)
a disturbing tale
of a sociopathic
corpse-fucking redneck
4/5
6. Cold Mountain (Charles Frazier)
a tedious start
a captivating middle
a heartbreaking end
4/5
7. The Almost Moon (Alice Sebold)
the murder of an
old woman who has shit her
pants does not allure
1/5
8. The Pilot’s Wife (Anita Shreve)
a dead pilot with
two wives and a double life
who would have guessed it
3/5
9. Remember Me (Mary Higgins Clark)
secret passageways
and mental illness do not
a good story make
2/5
10. Hidden Riches (Nora Roberts)
can a romance book
be good with a leading man
named jedidiah?
2/5
11. Cities of Refuge (Michael Helm)
it went on and on
this novel really should have
been a novella
3/5
12. Forgotten (Mariah Stewart)
unoriginal
crappy imitation of
silence of the lambs
2/5
13. Puppet Master (Jan Coffey)
a fast-paced thriller
with too many characters
but quite compelling
4/5
14. Body Movers: 3 Men and a Body (Stephanie Bond)
a witless floozy
fancies herself a private
investigator
1/5
15. Betrayal (Karin Alvtegen)
infidelity
leads to getting in bed with
a comatose mom
4/5
— Handy Mandy